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Being a part of the music community in Minnesota is a gift to every artist, listener and participant.  The stage of Vieux Carré is rich with history and whispers of musicians past. Today the tradition continues with a varied schedule highlighting local talents in many different genres with a focus on jazz, soul, blues, and the magic of each.  Patrons and artists share the room to commune in the celebration of life and each other.

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June 2018

Jeremy Walker & Scott Fultz

June 14 @ 6:00 pm - 7:30 pm

Jeremy Walker is a prolific composer and pianist who started playing the saxophone at age ten in his hometown of Minneapolis, MN. He was the founder of the club Brilliant Corners – voted by Downbeat magazine as “One of the 100 Great Jazz Clubs Worldwide,” and co-founder of the non-profit organization Jazz is NOW!– which launched with the Wynton Marsalis Quintet and surprise guest, Itzhak Perlman.

In 2003, City Pages voted Walker “Best Local Impresario” for his “community-conscious” programming. Turning to piano and composition in 2005, Walker earned recognition including a Jerome Foundation Travel/Study grant, and collaborations with TU Dance and Zenon Dance Company. He has performed with Vincent Gardner, Marcus Printup, Ted Nash, Ron Miles, Matt Wilson, JT Bates, and other notable musicians. In addition to commissions, Walker has written over 70 compositions for his bands: Small City Trio, Boot Camp, BOXCAR featuring Wessell “Warmdaddy” Anderson and Anthony Cox, The NOWnet, and The Bootet.

In 2014, Walker released his most ambitious recording to date: 7 Psalms. The album was released in March 2014 on CD Baby, iTunes and Amazon and was listed in Star Tribune as one of the 2014 albums in the Twin Cities Critics Tally with Walker listed as one of the “Jazz Heros” in Jazz Police.

In October 2014, Minnesota Orchestra named Walker Curator of the new Jazz in the Target Atrium series at Orchestra Hall bringing together national musicians with the regional Atrium Jazz Ensemble.

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$8

Kendra Glenn & JazzFly

June 14 @ 8:00 pm - 11:00 pm

Kendra Glenn is a  powerhouse soul singer, with a rich melodic tone that will leave you spellbound. Kendra has been in the Minneapolis music scene for about 17 years.

She has been a studio session vocalist for Andy Kotz Productions, opened for various national acts such as Dazz Band, Rolls Royce, and Cameo, and provided background vocals to blues guitarist/singer Scott Holt, former guitarist to Buddy Guy and former Prince protégé SueAnn Carwell. She also had the pleasure to work with Mr. Andre Fischer, former drummer/ producer and vocal arranger of Rufus and Chaka Khan. Definitely a “Diva” in her own right!

 

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Steve Kimmel

June 15 @ 6:30 pm - 8:30 pm

A veteran of the Twin Cities music scene, multi-instrumentalist Steve Kimmel is considered a legend of the West Bank. Steve ran the old Rainbow Gallery Jazz Club and handled bookings for the Loring Bar. His long and colorful career includes stints in acclaimed jazz project Natural Life, as well as blues favorites the Lamont Cranston Band.

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$10

Pat Donohue & Prairie All-Stars

June 15 @ 9:00 pm - 11:55 pm

Grammy winning fingerpicker Pat Donohue’s devotion to acoustic guitar has made him an American standard, as he echoes the tones of Robert Johnson, Charlie Parker, Merle Travis or Muddy Waters. A versatile guitarist’s guitarist, Pat enjoys entertaining fans with intricate fingerpicking, easy wit, and nimble interpretations of old blues, swing, R&B and original tunes.  A regular on NPR’s The Prairie Home Companion for many years, Pat Donohue has become a household name nationwide.

Besides his guitar chops, Donohue is also a talented songwriter whose original songs have been recorded by Chet Atkins, Kenny Rogers, and more.

Chet Atkins called Pat Donohue one of the greatest fingerpickers in the world today. And he writes songs too — recorded by Suzy Bogguss, Kenny Rogers, and others. Nobody’s Fault (Bluesky Records) is the most recent of Pat’s 10 albums.

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We Are Booked For A Private Event

June 16 @ 4:00 pm - 11:55 pm
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$35 table / $30 bar

Eric Alexander/Harold Mabern Quartet

June 19 @ 6:00 pm - 8:00 pm

BUY TICKETS HERE

Jazz Doubleheader!
Purchase a ticket to this 6pm show and get access to a $10 ticket to the 9pm Kenny Garrett show at the Dakota on the same night, June 19th ($25 value). Call 612-332-5299 to order this special ticket today!

Harold Mabern, one of jazz’s most enduring and dazzlingly skilled pianists, was born in Memphis, a city that produced saxophonists George Coleman and Charles Lloyd, pianist Phineas Newborn Jr. and trumpeter Booker Little. He was an unsung hero of the 1960s hardbop scene, performing and recording with many of its finest artists, and only in recent years has he begun to garner appreciation for his long-running legacy in jazz and the understated power of his talent; as critic Gary Giddins has written, “With the wind at his back, he can sound like an ocean roar.”

During his over half-century on the scene as sideman and leader, he has played and recorded with such greats as Lee Morgan, Sonny Rollins, Hank Mobley, Freddie Hubbard and Miles Davis, just to name a few. “I was never concerned with being a leader, I just always wanted to be the best sideman I could be. Be in the background so you can shine through.”

Eric Alexander started piano lessons at the age of six. He took up the clarinet at nine and switched to alto sax three years later. The tenor sax became his obsession at Indiana University Bloomington (1986-87). After transferring to William Paterson College in New Jersey he studied with Harold Mabern, Joe Lovano, Rufus Reid, and others.

“The people I listened to in college are still the cats who are influencing me today,” Eric says. “The legacy left by Bird and all the bebop pioneers, that language and that feel—that’s the bread and butter of everything I do.” George Coleman is a big influence because of his very hip harmonic approach. And I’m still listening all the time to Coltrane because I feel that—even in the wildest moments of his mid- to late-60s solos—I can find these little kernels of melodic information and employ them in my own playing.”

In 1991 Eric competed against Joshua Redman and Chris Potter in the Thelonious Monk International Jazz Saxophone Competition. Placing second, this launched him into the whirlwind life of a professional jazz musician. He played with organ trios on Chicago’s South Side, made his recording debut with Charles Earland, and cut his first album as a leader, “Straight Up.” Eric has appeared on record as a leader, sideman, producer, and composer. By now, he has lost count of how many albums feature his playing; he guesses 60 or 70. He has earned praise from critics and, even more important, established his own voice within the bebop tradition.

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$20 bar / $25 table

Eric Alexander/Harold Mabern Quartet

June 19 @ 9:00 pm - 11:00 pm

BUY TICKETS HERE

Harold Mabern, one of jazz’s most enduring and dazzlingly skilled pianists, was born in Memphis, a city that produced saxophonists George Coleman and Charles Lloyd, pianist Phineas Newborn Jr. and trumpeter Booker Little. He was an unsung hero of the 1960s hardbop scene, performing and recording with many of its finest artists, and only in recent years has he begun to garner appreciation for his long-running legacy in jazz and the understated power of his talent; as critic Gary Giddins has written, “With the wind at his back, he can sound like an ocean roar.”

During his over half-century on the scene as sideman and leader, he has played and recorded with such greats as Lee Morgan, Sonny Rollins, Hank Mobley, Freddie Hubbard and Miles Davis, just to name a few. “I was never concerned with being a leader, I just always wanted to be the best sideman I could be. Be in the background so you can shine through.”

Eric Alexander started piano lessons at the age of six. He took up the clarinet at nine and switched to alto sax three years later. The tenor sax became his obsession at Indiana University Bloomington (1986-87). After transferring to William Paterson College in New Jersey he studied with Harold Mabern, Joe Lovano, Rufus Reid, and others.

“The people I listened to in college are still the cats who are influencing me today,” Eric says. “The legacy left by Bird and all the bebop pioneers, that language and that feel—that’s the bread and butter of everything I do.” George Coleman is a big influence because of his very hip harmonic approach. And I’m still listening all the time to Coltrane because I feel that—even in the wildest moments of his mid- to late-60s solos—I can find these little kernels of melodic information and employ them in my own playing.”

In 1991 Eric competed against Joshua Redman and Chris Potter in the Thelonious Monk International Jazz Saxophone Competition. Placing second, this launched him into the whirlwind life of a professional jazz musician. He played with organ trios on Chicago’s South Side, made his recording debut with Charles Earland, and cut his first album as a leader, “Straight Up.” Eric has appeared on record as a leader, sideman, producer, and composer. By now, he has lost count of how many albums feature his playing; he guesses 60 or 70. He has earned praise from critics and, even more important, established his own voice within the bebop tradition.

Find out more »

Rick Carlson

June 20 @ 6:00 pm - 7:30 pm

Rick Carlson taught himself to play the piano by studying the vast works of Count Basie and Duke Ellington and capitalizing on a long string of happy accidents. He has also perfected the art of “circular drinking”, whereby he can sip martinis uninterrupted while still playing a cohesive piano solo.

He has been the pianist for the Wolverines Big Band since 1980. He is a sought-after accompanist by singers and has served as pianist and musical director for various local concert series, including those for the Twin Cities Jazz Society’s “J To Z” series, the Capri Theater’s “Legends” series, and for special presentations at the Heights Theatre and performing arts centers across the United States. He has performed on concert stages in London and New York City, and has appeared with Count Basie drummer Butch Miles, trumpeter Warren Vaché, New Orleans clarinetist Evan Christopher, and served as musical director, arranger and pianist in the Guthrie Theater’s presentation of “Coward’s Women”. He has opened for Rosemary Clooney, accompanied Kathryn Crosby in various cabaret shows, and counts Madeleine Peyroux among his many unwitting fans.

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$6

Louis Armstrong Night! w/Southside Aces

June 20 @ 8:00 pm - 11:00 pm

The only place in town to find a whole night of the music of Louis Armstrong! The Southside Aces Big Five plays King Oliver Louis. They play Hot Fives Louis. They play big band Louis. They play All Star Louis. All for six lousy bucks!

The Southside Aces Big Five is:
Dan Eikmeier-trumpet
Tony Balluff-clarinet
Rick Carlson-piano
Dave Michael-drums
Josh Granowski-string bass

Southside Aces perform traditional New Orleans jazz. The band first began as the brainchild of Clarinetist Tony Balluff and Sousaphone player Erik Jacobson. Their whispers and rumors materialized in Tony’s foyer near Pillsbury and 27th in South Minneapolis, late August 2003. Since their first gig on a flatbed truck in Apple Valley, they’ve played weddings, festivals, clubs— “music furnished for all occasions.”

The Aces have self-produced and released five CDs: All Aboard!!, Bucktown Bounce, A Big Fine Thing, their Christmas album, Santaphone, and their latest, Second Thursday.

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Free

Steven Hobert & John Penny

June 21 @ 5:30 pm - 7:00 pm

Steven Hobert describes himself as a soul who plays, sings and dances while exploring life’s mysteries. His genre-blending piano, accordion and vocal music has been described as “delightful, innovative and viscerally inspiring” that “dazzles audiences with sincerity and playfulness to open up hearts and fire imaginations.” Based out of Minneapolis, he tours as a soloist, leads the world beat-driven ensemble FireFlyForest, performs with the chamber-jazz ensemble Lulu’s Playground (accordion, trumpet, guitar and cello), and works as a free-lance producer, composer and instrumentalist for countless shows with vocalists and ensembles doing jazz, klezmer, sacred music, Americana, classical, rock and Latin American music.

Through his authentic and vulnerable expression, Steven aims to be a musical vehicle to spark inspiration, compassionate connection, and facilitate community & healing.

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